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  • Info: Rationalizing the theory of generations. Studying stories, history, this #4thTurning. Amateur economist and data scientist. ❄️ Snowflake appreciator


A Quiet Place Part II is a movie starring John Krasinski, Cillian Murphy, and Emily Blunt. Following the events at home, the Abbott family now face the terrors of the outside world. Forced to venture into the unknown, they realize writed by=John Krasinski 2020.
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Level 1 3 When she was talking about the different roast I was like, she's really talking about Kevin and Grant. lol level 2 I was wondering if anyone else had this thought. It was too introspective to not be a metaphor for those two guys level 2 That's what I was thinking too when I listened to the eulogy and Sophie mayne she should have settled to that other coffee. She really wanted that House blend. level 1 I just got done watching the episode and was convinced this was closure for Sophie and Kevin, namely due to Jacks lines about losing something you love but finding something else to love. And then I read this post and I’m back to thinking it’s Sophia. 😂 To me, Sophie saying she can’t believe she’s going to spend the rest of her life with someone who barely knew her mother was her almost lamenting about Grant. level 1 Anyone else wondering why they didn’t show Sophie’s finance? Kind of strange... level 1 Anyone else see the "Zophie" on the fridge at Sophie's mom's house when they came back from NYC? level 2 It almost looked like 2ophie to me, a 2 instead of an S. Maybe representing that the second iteration of Kophie’s relationship in the present day is coming soon level 2 Yes. Which made me think of the episode earlier this season where Jack & Rebecca were talking about names - for girls, it was “Zoe, Zophie and Zusan. ” For whatever that connection is worth. level 1 Hmmm, #5 is interesting. In 3 Sentences (I love that episode! ) It's just a few trees in the painting and in Her, it's a whole forest! If you're on to something that could symbolize their love growing over the years😊 I kind of hope you're right and that would be cool if you caught a small detail like tree paintings! level 1 I agree with all of these! Don’t forget the thing about “it’s the ending everyone wants, but they’re not gonna expect it or something. Or also how watching the end of good will hunting means that they are the endgame (that’s how I took it anyways) level 2 Yes! I think that line is going to be really significant. Considering Kevin is engaged in just a few months, I really think It has to be Sophie especially since the ring was such a key part of this episode. If he got Madison pregnant, would he really rush into marrying her? Possible but doesn’t seem as likely. level 2 Yes! I’m planning on adding more, just wanted to post a few to start! If you want to elaborate please feel free - I may’ve missed something! level 2 I just gotta say that I don’t know how anyone can watch the ending of “Three Sentences” and think that Kevin and Sophie aren’t endgame. level 2 "This is the ending everyone wants, and they still won't see it coming" level 1 I like this! Maybe something to add about your point with Kevin having a fancy coffee machine in the future is the fact that he and Madison drink tea together, but he drinks coffee with Sophie. level 1 Never saw the trees thing, does anyone have a screenshot? level 2 Original Poster 2 points · 1 month ago · edited 1 month ago I don’t have screenshots, but each episode title in #5 is a video link and the pictures are in those clips!

Free movie a simple wedding songs. Free Movie A Simple wedding dresses. Free movie a simple wedding music. A simple wedding free movie. Free movie a simple wedding ring. Free Movie A Simple wedding. WHAT HAPPENED HILLARY RODHAM CLINTON Showing Up Deep breath. Feel the air fill my lungs. This is the right thing to do. The country needs to see that our democracy still works, no matter how painful this is. Breathe out. Scream later. I’m standing just inside the door at the top of the steps leading down to the inaugural platform, waiting for the announcer to call Bill and me to our seats. I’m imagining that I’m anywhere but here. Bali maybe? Bali would be good. It’s tradition for Bill and me, as a former President and First Lady, to attend the swearing-in of the new President. I had struggled for weeks with whether or not to go. John Lewis wasn’t going. The civil rights hero and Congressman said that the President Elect was not legitimate because of the mounting evidence of Russian interference in the election. Other members of Congress were joining him in boycotting a President Elect they saw as divisive. A lot of my supporters and close friends urged me to stay home, too. My friends understood how painful it would be to sit on the platform and watch Donald Trump sworn in as our next Commander in Chief. I had campaigned relentlessly to make sure that never happened. I was convinced he represented a clear and present danger to the country and the world. Now the worst had happened, and he was going to take the oath of office. Plus, after the mean-spirited campaign Trump ran, there was a decent chance I’d get booed or be met with “Lock her up! ” chants if I went. Still, I felt a responsibility to be there. The peaceful transfer of power is one of our country’s most important traditions. I had touted it around the world as Secretary of State, hoping that more countries would follow our example. If I really believed in it, I had to put my feelings aside and go. Bill and I checked with the Bushes and the Carters to see what they were thinking. George W. and Jimmy had been among the first to call me after the election, which meant a lot to me. George actually called just minutes after I finished my concession speech, and graciously waited on the line while I hugged my team and supporters one last time. When we talked, he suggested we find time to get burgers together. I think that’s Texan for “I feel your pain. ” Both he and Jimmy knew what it felt like to put yourself on the line in front of the whole country, and Jimmy knew the sting of rejection. He and I commiserated over that a bit. (“Jimmy, this is the worst. ” “Yes, Hillary, it is. ”) It was no secret that these former Presidents weren’t fans of Donald Trump. He had been absolutely vicious to George’s brother Jeb in particular. But were they going to the inauguration? Yes. That gave me the push I needed. Bill and I would go. That’s how I ended up right inside the door of the Capitol on January 20, waiting to be announced. It had been such a long journey to get here. Now I just had to take a few more steps. I took Bill’s arm and squeezed it, grateful to have him by my side. I took a deep breath and walked out the door with as big a smile as I could muster. On the platform, we sat next to the Bushes. The four of us had caught up inside a few minutes earlier, trading updates about our daughters and grandchildren. We chatted like it was any other day. George and Laura gave us the latest news about the health of George’s parents, former President George H. W. and Barbara, both of whom had been in the hospital recently but, happily, were now on the mend. As we sat waiting for the President Elect to arrive, my mind wandered back to that incredible day twenty-four years earlier when Bill took the oath of office for the first time. It could not have been easy for George H. and Barbara to watch, but they had been extraordinarily gracious to us. The outgoing President left a letter for Bill in the Oval Office that is one of the most decent and patriotic things I’ve ever read. “Your success now is our country’s success. I am rooting hard for you, ” he wrote. We did our best to show the same graciousness to George W. and Laura eight years later. At this moment, I was trying to summon a similar attitude about the incoming President. As I had said in my concession speech, he deserved an open mind and the chance to lead. I also thought about Al Gore, who in 2001 sat stoically through George W. ’s inauguration despite having won more votes. Five members of the Supreme Court decided that election. That must have been awful to bear. I realized I was inventing a new pastime: imagining the pain of past electoral losses. John Adams, our second Commander in Chief, suffered the indignity of being the first President ever voted out of office, losing to Thomas Jefferson in 1800, but he got a measure of revenge twenty-five years later when his son John Quincy was elected. In 1972, George McGovern lost forty-nine out of fifty states to Richard Nixon—Bill and I worked hard on McGovern’s campaign and have indelible memories of that defeat. And let’s not forget William Howard Taft, whom Teddy Roosevelt had groomed to succeed him. Four years later, in 1912, Teddy decided Taft wasn’t doing a good enough job as President, so he ran as a third-party candidate, split the electorate, and Woodrow Wilson won. That had to hurt. Then Bill touched my elbow, and I snapped back to the present. The Obamas and the Bidens were in front of us. I imagined President Obama riding over in the presidential limo with a man who had risen to prominence partly by lying about Barack’s birthplace and accusing him of not being an American. At some point in the day’s proceedings, Michelle and I shared a rueful look. It said, “Can you believe this? ” Eight years before, on the bitterly cold day when Barack was sworn in, our heads were full of plans and possibilities. Today was just about putting on a game face and getting through it. The President Elect finally arrived. I had known Donald Trump for years, but never imagined he’d be standing on the steps of the Capitol taking the oath of office as President of the United States. He was a fixture of the New York scene when I was a Senator—like a lot of big-shot real estate guys in the city, only more flamboyant and self-promoting. In 2005, he invited us to his wedding to Melania in Palm Beach, Florida. We weren’t friends, so I assumed he wanted as much star power as he could get. Bill happened to be speaking in the area that weekend, so we decided to go. Why not? I thought it would be a fun, gaudy, over-the-top spectacle, and I was right. I attended the ceremony, then met Bill for the reception at Trump’s Mar-a-Lago estate. We had our photo taken with the bride and groom and left. The next year, Trump joined other prominent New Yorkers in a video spoof prepared for the Legislative Correspondents Association dinner in Albany, which is the state version of the more famous White House Correspondents’ Association dinner. The idea was that the wax figure of me at the Madame Tussauds museum in Times Square had been stolen, so I had to stand in and pretend to be a statue while various famous people walked by and said things to me. New York Mayor Mike Bloomberg said I was doing a great job as Senator—then joked about running for President in 2008 as a self-funder. When Trump appeared, he said, “You look really great. Unbelievable. I’ve never seen anything like it. The hair is magnificent. The face is beautiful. You know, I really think you’d make a great President. Nobody could come close. ” The camera pulled back to reveal he wasn’t talking to me after all but to his own wax statue. It was funny at the time. When Trump declared his candidacy for real in 2015, I thought it was another joke, like a lot of people did. By then, he’d remade himself from tabloid scoundrel into right-wing crank, with his long, offensive, quixotic obsession with President Obama’s birth certificate. He’d flirted with politics for decades, but it was hard to take him seriously. He reminded me of one of those old men ranting on about how the country was going to hell in a handbasket unless people started listening to him. It was impossible to ignore Trump—the media gave him free wall-to-wall coverage. I thought it was important to call him out for his bigotry, which I did early and often, starting when he called Mexican immigrants rapists and drug dealers the day he announced his candidacy. But it wasn’t until I saw him dominate a debate with a crowded field of talented Republican candidates—not with brilliant ideas or powerful arguments but with ugly attacks that drew gasps—that I realized he might be for real. Now here he was, with his hand on the Bible, promising to preserve, protect, and defend the Constitution of the United States. The joke, it turned out, was on us. It started to rain, and people around us fumbled with the thin plastic ponchos we’d been given. Backstage, I had urged Bill to wear his trench coat. The day was unusually warm, and Bill didn’t think he needed it. Now he was glad he’d worn it—a small wifely victory on a torturous day. As awkward as the ponchos looked, they could have looked worse. I had heard that the first batch of white ponchos that arrived could have looked something like KKK hoods from a certain angle, and a sharp-eyed inaugural organizer quickly replaced them. The new President’s speech was dark and dystopian. I heard it as a howl straight from the white nationalist gut. Its most memorable line was about “American carnage, ” a startling phrase more suited to a slasher film than an inaugural address. Trump painted a picture of a bitter, broken country I didn’t recognize. I knew we still had real challenges, ones I had talked about endlessly on the campaign trail: income inequality and the increasing concentration of corporate power, continuing threats from terrorism and climate change, the rising cost of health care, the need to create more and better jobs in the face of accelerating automation. The American middle class really had gotten screwed. The financial crash of 2008–2009 cost them jobs and ripped away their security. It seemed like no one was ever held accountable. Americans across a broad spectrum felt alienated, from culturally traditional white voters unsettled by the pace of social change, to black men and women who felt as if the country didn’t value their lives, to Dreamers and patriotic Muslim citizens who were made to feel like intruders in their own land. Trump was great at rubbing salt in their wounds. But he was wrong about so much. There had been seventy-five straight months of job growth under President Obama, and incomes for the bottom 80 percent were finally starting to go up. Twenty million more people had health insurance thanks to the Affordable Care Act, the greatest legislative achievement of the outgoing administration. Crime was still at historic lows. Our military remained by far the most powerful in the world. These are knowable, verifiable facts. Trump stood up there in front of the world and said the exact opposite—just as he had throughout the campaign. He didn’t seem to see or value any of the energy and optimism I saw when I traveled around the country. Listening to Trump, it almost felt like there was no such thing as truth anymore. It still feels that way. My predecessor in the Senate, Daniel Patrick Moynihan, used to say, “Everyone is entitled to his own opinion, but not his own facts. ” We can disagree about policies and values, but claiming that 2 + 2 = 5 and having millions of Americans swallow it is very different. When the most powerful person in our country says, “Don’t believe your eyes, don’t believe the experts, don’t believe the numbers, just believe me, ” that rips a big hole in a free democratic society like ours. As Yale history professor Timothy Snyder writes in his book On Tyranny: Twenty Lessons from the Twentieth Century, “To abandon facts is to abandon freedom. If nothing is true, then no one can criticize power, because there is no basis upon which to do so. If nothing is true, then all is spectacle. ” Attempting to define reality is a core feature of authoritarianism. This is what the Soviets did when they erased political dissidents from historical photos. This is what happens in George Orwell’s classic novel Nineteen Eighty-Four, when a torturer holds up four fingers and delivers electric shocks until his prisoner sees five fingers as ordered. The goal is to make you question logic and reason and to sow mistrust toward exactly the people we need to rely on: our leaders, the press, experts who seek to guide public policy based on evidence, ourselves. For Trump, as with so much he does, it’s about simple dominance. This trend didn’t start with Trump. Al Gore wrote a book called The Assault on Reason in 2007. In 2005, Stephen Colbert coined the word “truthiness, ” inspired by how Fox News was turning politics into an evidence free zone of seething resentments. And the Republican politicians whom Fox propelled to power had done their part, too. Republican strategist Karl Rove famously dismissed critics who lived in “the reality-based community”— words intended as a slight—saying they failed to grasp that “we’re an empire now, and when we act, we create our own reality. ” But Trump has taken the war on truth to a whole new level. If he stood up tomorrow and declared that the Earth is flat, his counselor Kellyanne Conway just might go on Fox News and defend it as an “alternative fact, ” and too many people would believe it. Just look at what happened several weeks into his presidency when Trump falsely accused President Obama of having wiretapped him, a claim that was widely and quickly debunked. A subsequent poll found that 74 percent of Republicans nevertheless thought it was at least somewhat likely to be true. Trump’s inaugural address was aimed squarely at millions of Americans who felt insecure and frustrated, even hopeless, in a changing economy and society. A lot of people were looking for someone to blame. Too many saw the world in zero-sum terms, believing that gains made by fellow Americans they viewed as “other”—people of color, immigrants, women, LGBT people, Muslims—were not earned and must be coming at someone’s expense. The economic pain and dislocation were real, and so was the psychic pain. It made for a toxic, combustible mix. I hadn’t been blind to the power of this anger. During the campaign, Bill and I both went back and reread The True Believer, Eric Hoffer’s 1951 exploration of the psychology behind fanaticism and mass movements, and I shared it with my senior staff. On the campaign trail, I offered ideas that I believed would address many of the underlying causes of discontent and help make life better for all Americans. But I couldn’t—and wouldn’t—compete to stoke people’s rage and resentment. I think that’s dangerous. It helps leaders who want to take advantage of that rage to hurt people rather than help them. Besides, it’s just not how I’m wired. Maybe that’s why Trump was now delivering the inaugural address and I was sitting in the crowd. What would I have said if it were me up there? It would have been daunting to find the words to match the moment. I probably would have gone through a million drafts. My poor speechwriters would have been sprinting only steps ahead of me carrying the thumb drive with the final draft to the teleprompter operator. But I would have relished the chance to move beyond the rancor of the campaign, reach out to all Americans regardless of who they voted for, and offer a vision of national reconciliation, shared opportunity, and inclusive prosperity. It would have been an extraordinary honor to be the first woman to take the oath. I won’t pretend I hadn’t dreamt of that moment—for me, for my mother, for my daughter, her daughter, everyone’s daughters—and for our sons. Instead, the world was listening to the new President’s undimmed fury. I remembered the late Maya Angelou reading one of her poems at Bill’s first inauguration. “Do not be wedded forever to fear, yoked eternally to brutishness, ” she urged us. What would she say if she could hear this speech? Then it was done, and he was our President. “That was some weird shit, ” George W. reportedly said with characteristic Texas bluntness. I couldn’t have agreed more. We headed up the stairs to leave the platform and go back inside the Capitol, shaking hands along the way. I saw a man off to the side who I thought was Reince Priebus, head of the Republican National Committee and incoming White House Chief of Staff. As I passed by, we shook hands and exchanged small talk. Later I realized it hadn’t been Priebus at all. It was Jason Chaffetz, the then–Utah Congressman and wannabe Javert who made endless political hay out of my emails and the 2012 tragedy in Benghazi, Libya. Later, Chaffetz posted a picture of our handshake with the caption “So pleased she is not the President. I thanked her for her service and wished her luck. The investigation continues. ” What a class act! I came this close to tweeting back, “To be honest, thought you were Reince. ” The rest of the day was a blur of greeting old friends and trying to avoid eye contact with those people who’d said terrible things about me during the campaign. I ran into Supreme Court Justice Ruth Bader Ginsburg, walking slowly but with steely determination. If I had won, she might have enjoyed a nice retirement. Now I hoped she’d stay on the bench as long as humanly possible. At lunch in the Capitol, I sat at our assigned table and commiserated with Congresswoman Nancy Pelosi, the Democratic leader in the House of Representatives, who I think is one of the shrewdest, most effective politicians in Washington. She deserves enormous credit for marshalling the votes for the 2010 Affordable Care Act under nearly impossible circumstances and for standing up for what’s right whether she’s in the majority or the minority. Republicans have demonized her for years because they know she gets things done. Senator John McCain of Arizona came over and gave me a hug. He seemed nearly as distraught as I was. The niece of a top official in the incoming Trump administration came over to introduce herself and whisper in my ear that she had voted for me but was keeping it a secret. Congressman Ryan Zinke, soon to be Trump’s Interior Secretary, brought his wife over to say hello. This was somewhat surprising, considering that in 2014 he had called me the “Antichrist. ” Maybe he’d forgotten, because he didn’t come equipped with any garlic or wooden stakes, or whatever one uses to ward off the Antichrist. But I hadn’t forgotten. “You know, Congressman, ” I said, “I’m not actually the Antichrist. ” He was taken aback and mumbled something about not having meant it. One thing I’ve learned over the years is how easy it is for some people to say horrible things about me when I’m not around, but how hard it is for them to look me in the eye and say it to my face. I talked with Tiffany Trump about her plans to attend law school. I kidded with Republican Senator John Cornyn about how I performed much better than expected in his state of Texas. In the President’s remarks at lunch, when he was away from the glare of his angry supporters, Trump thanked Bill and me for coming. Then, finally, we could leave. Little did I know that the first controversy of the new administration had already begun over the size of the crowd at the inauguration. As is its practice, the U. S. National Park Service quickly published photos to mark the occasion. This time the new President disputed the photographic evidence showing only a modest crowd and demanded that the Park Service go with the lie that the crowds were “huge. ” This flew in the face of what we could all see with our own eyes. I had the same view Trump did up there on the platform. Unlike him, I could compare it to what I had seen at inaugurals since 1993. I understood why he became so defensive. There really was a difference. The episode was silly, but also an early warning: we were in a “brave new world. ” If the inauguration on Friday was the worst of times, Saturday turned out to be the best of times. I decided to stay at home in Chappaqua, New York, rather than attend the Women’s March protesting the new President. It was another tough call. I wanted badly to join the crowds and chant my heart out. But I believed it was important for new voices to take the stage, especially on this day. There are so many exciting young women leaders ready to play bigger roles in our politics. The last thing I wanted was to be a distraction from the genuine outpouring of grassroots energy. If I showed up, nasty politics would unavoidably follow. So I sat on my couch and watched in delight as the networks reported huge crowds in dozens of cities across the United States and around the world. Friends sent me excited reports of packed subway cars and streets overflowing with women and men of all ages. I scrolled through Twitter and sent out gratitude and good vibes. The Women’s March was the biggest single protest in American history. Hundreds of thousands of people gathered in cities like New York, Los Angeles, and Chicago. Thousands also turned out in places like Wyoming and Alaska. In Washington, the march dwarfed the crowd that had gathered to see Trump’s inauguration the day before. And it was completely peaceful. Maybe that’s what happens when you put women in charge. It was a far cry from what happened when women first marched on Washington, the day before Woodrow Wilson’s inauguration in 1913. Thousands of suffragettes trooped down Pennsylvania Avenue demanding the right to vote, including Alice Paul, Helen Keller, and Nellie Bly. Men lined the way, gawking, jeering, and eventually turning into an angry mob. The police did nothing, and scores of marchers were injured. The violence drew the nation’s attention to the suffragette cause. The superintendent of police was fired. Congress held hearings. And seven years later, the Nineteenth Amendment to the Constitution was ratified, granting women the right to vote. Nearly a century later, we’d made a lot of progress, but our new President was a painful reminder of how far we still had to go. That’s why millions of women (and many supportive men) were pouring into the streets. I will confess that the day was bittersweet. For years all over the world, I had seen women driving grassroots movements, assuming power for themselves and their communities, forcing warring armies to the peace table, rewriting the destinies of nations. Were we now seeing the stirrings of something similar in the streets of our own country? It was awe-inspiring, as I said on Twitter at the end of the day. Yet I couldn’t help but ask where those feelings of solidarity, outrage, and passion had been during the election. Since November, more than two dozen women—of all ages, but mostly in their twenties—had approached me in restaurants, theaters, and stores to apologize for not voting or not doing more to help my campaign. I responded with forced smiles and tight nods. On one occasion, an older woman dragged her adult daughter by the arm to come talk to me and ordered her to apologize for not voting—which she did, head bowed in contrition. I wanted to stare right in her eyes and say, “You didn’t vote? How could you not vote?! You abdicated your responsibility as a citizen at the worst possible time! And now you want me to make you feel better? ” Of course, I didn’t say any of that. These people were looking for absolution that I just couldn’t give. We all have to live with the consequences of our decisions. There had been a lot of days since the election when I wasn’t in a very forgiving mood toward anyone, including myself. I was—and still am— worried about our country. Something is wrong. How could sixty-two million people vote for someone they heard on tape bragging about repeated sexual assault? How could he attack women, immigrants, Muslims, Mexican Americans, prisoners of war, and people with disabilities—and, as a businessman, be accused of scamming countless small businesses, contractors, students, and seniors—and still be elected to the most important and powerful job in the world? How can we as a nation allow untold thousands of Americans to be disenfranchised by voter suppression laws? Why did the media decide to present the controversy over my emails as one of the most important political stories since the end of World War II? How did I let that happen? How did we? For all my concerns, though, watching the Women’s March, I couldn’t help but be swept up in the joy of the moment and feel like the unmistakable vitality of American democracy was reasserting itself before our eyes. My Twitter feed filled up with photos of marchers holding funny, poignant, indignant signs: “So Bad, Even Introverts Are Here. ” “Ninety, Nasty, and Not Giving Up! ” “Science Is Not a Liberal Conspiracy. " One adorable little boy had this message around his neck: “I ♥ Naps but I Stay Woke. ” I also saw young girls holding up quotes from my speeches over the years: “Women’s Rights Are Human Rights. ” “I Am Powerful and Valuable. ” On a tough weekend, seeing those words lifted my spirits. The people in the streets were sending a message to me and all of us: “Don’t give up. This country is worth fighting for. ” For the first time since the election, I felt hopeful. Just keep going. No feeling is final. —Rainer Maria Rilke Grit and Gratitude On November 9, it was cold and raining in New York City. Crowds on the sidewalks turned to face my car as we drove past. Some people were crying. Some raised their hands or fists in solidarity. There were little kids held aloft by their parents. This time, seeing them made my heart sink instead of soar. My team had scrambled to find a hall for my concession speech. The soaring Jacob K. Javits Convention Center atrium where we had hoped to hold a victory party wasn’t an option. At 3:30 A. M., after scouting a few locations, our advance staff walked into the lobby of the New Yorker Hotel in Midtown Manhattan, not far from where my family and I were staying. They asked the concierge to call and wake up the manager at home. At 4:30 A. M., they started to prepare one of the hotel’s ballrooms for an event everyone had hoped would never happen. I learned later that the New Yorker was where Muhammad Ali recuperated after losing a bitterly fought fifteen-round heavyweight championship fight to rival Joe Frazier in 1971. “I never wanted to lose, never thought I would, but the thing that matters is how you lose, ” Ali said the following day. “I’m not crying. My friends should not cry. ” If we wrote it in a movie, no one would believe it. That morning, Bill and I both wore purple. It was a nod to bipartisanship (blue plus red equals purple). The night before, I had hoped to thank the country wearing white—the color of the suffragettes—while standing on a stage cut into the shape of the United States under a vast glass ceiling. (We had really gone the distance on the symbolism. ) Instead, the white suit stayed in the garment bag. Out came the gray and purple one I had intended to wear on my first trip to Washington as President Elect. After I finished speaking, I hugged as many people in the ballroom as possible. There were lots of old friends and devoted campaign staffers, many of their faces wet with tears. I was dry-eyed and felt calm and clear. My job was to get through this morning, smile, be strong for everyone, and show America that life went on and our republic would endure. A life spent in the public eye has given me lots of practice at that. I wear my composure like a suit of armor, for better or worse. In some ways, it felt like I had been training for this latest feat of self-control for decades. Still, every time I hugged another sobbing friend—or one stoically blinking back tears, which was almost worse—I had to fight back a wave of sadness that threatened to swallow me whole. At every step, I felt that I had let everyone down. Because I had. Bill, Chelsea, and her husband, Marc, were by my side, as they had been throughout. So were Tim Kaine and his wife, Anne Holton, who were extraordinarily kind and strong under these wrenching circumstances. I chose Tim for my running mate out of a superb field of candidates because he had executive experience, a stellar record as mayor, governor, and senator, a well deserved reputation for decency and good judgment, and he was fluent in Spanish from his time as a missionary. He would have been an effective partner and truth teller as my vice president. Also, I liked him a lot. After delivering hugs and smiling so long and hard that my face ached, I asked my senior team to go back to our headquarters in Brooklyn and make sure everyone was okay. One final wave to the crowd, a final thank-you to Tim and Anne, a quick hug and kiss for Chelsea and Marc—who both knew everything I felt without me having to say a word—and Bill and I got into the backseat of a Secret Service van and were driven away. I could finally let my smile drain away. We were mostly quiet. Every few minutes, Bill would repeat what he had been saying all morning: “I’m so proud of you. ” To that he now added, “That was a great speech. History will remember it. ” I loved him for saying it, but I didn’t have much to say in return. I felt completely and totally depleted. And I knew things would feel worse before they started feeling better. It takes about an hour to drive from Manhattan to our home in Chappaqua. We live at the end of a quiet street full of trees, and whatever stress I’m feeling usually vanishes whenever I turn up the cul-de-sac. I absolutely love our old house and am always happy to be home. It’s cozy, colorful, full of art, and every surface is covered with photos of the people I love best in the world. That day, the sight of our front gate was pure relief to me. All I wanted to do was get inside, change into comfy clothes, and maybe not answer the phone ever again. I’ll confess that I don’t remember much about the rest of that day. I put on yoga pants and a fleece almost immediately. Our two sweet dogs followed me from room to room, and at one point, I took them outside and just breathed the cold, rainy air. Every once in a while, I’d turn on the news but then turn it off almost immediately. The question blaring in my head was, “How did this happen? ” Fortunately, I had the good sense to realize that diving into a campaign postmortem right then would be about the worst thing I could do to myself. Losing is hard for everyone, but losing a race you thought you would win is devastating. I remember when Bill lost his reelection as Governor of Arkansas in 1980. He was so distraught at the outcome that I had to go to the hotel where the election night party was held to speak to his supporters on his behalf. For a good while afterward, he was so depressed that he practically couldn’t get off the floor. That’s not me. I keep going. I also stew and ruminate. I run through the tape over and over, identifying every mistake — especially those made by me. When I feel wronged, I get mad, and then I think about how to fight back. On that first day, I just felt tired and empty. The reckoning was still to come. At some point, we ate dinner. We FaceTimed with our grandchildren, two-year-old Charlotte and her baby brother, Aidan, born in June 2016. I was reassured to see their mom. I knew Chelsea was hurting for me, which in turn hurt to think about, but those kids are an instant mood boost for all of us. We quietly drank them in, that day and every day after. Perhaps most importantly, after sleeping hardly at all the night before, I climbed into our bed midday for a nice, long nap. I also went to bed early that night and slept in the next morning. I could finally do that. I avoided the phone and email that first day. I suspected, correctly, that I was receiving a virtual avalanche of messages, and I couldn’t quite handle it— couldn’t handle everyone’s kindness and sorrow, their bewilderment and their theories for where and why we had fallen short. Eventually, I’d dive in. But for now, Bill and I kept the rest of the world out. I was grateful for the one-billionth time that I had a husband who was good company not just in happy times but sad ones as well. I doubt that many people reading this will ever lose a presidential election. (Although maybe some have: hi Al, hi John, hi Mitt, hope you’re well. ) But we all face loss at some point. We all face profound disappointment. Here’s what helped me during one of the lowest points in my life. Maybe it’ll help you too. After that first day of laying low, I started reaching out to people. I answered a ton of emails; I returned phone calls. It hurt. There’s a reason people isolate themselves when they’re suffering. It can be painful to talk about it, painful to hear the concern in our friends’ voices. Plus, in my case, we were all suffering. Everyone was so upset—for me, for themselves, for America. Often, I ended up doing the comforting rather than being comforted. Still, it was good to connect. I knew isolation wasn’t healthy and that I’d need my friends now more than ever. I knew that putting off those conversations would only make them harder to have later on. And I badly wanted to thank everyone who had helped my campaign and make sure they were holding up okay under these circumstances. What helped most was when someone said, “This has made me even more committed to the fight. ” “I’m stepping up my donations. ” “I’ve already started volunteering. ” “I’m posting more on Facebook; I won’t stay quiet anymore. ” And best of all: “I’m thinking about running for office myself. ” A young woman named Hannah, one of my field organizers in Wisconsin, sent me this note a few days after my loss: The past two days have been very difficult. But when I think about how I felt on Tuesday morning, when I cried for an hour because I thought we were about to elect our first woman President, I know we cannot give up. Even though these last days have been a different kind of crying, your poise and grace have inspired me to stay strong. I do know that even though we have all been knocked down by this, we will rise. And through the next few years, we will be stronger together and keep fighting for what is right. From one nasty woman to another, thank you. Since I spent a lot of time worrying that my loss would permanently discourage the young people who worked for my campaign, learning that my defeat hadn’t defeated them was a huge relief. It also roused me. If they could keep going, so could I. And maybe if I showed that I wasn’t giving up, other people would take heart and keep fighting, too. It was especially important to me that all the people who worked on my campaign knew how grateful and proud I was of them. They’d sacrificed a lot over the past two years, in some cases putting personal lives on hold, moving across the country, and working long hours for not that much money. They never stopped believing in me, each other, and the vision of the country we were working so hard to advance. Now many of them didn’t know where their next paycheck would come from. I did two things right away. First, I decided to write and sign letters to all 4, 400 members of my campaign staff. Thankfully, Rob Russo, who has been managing my correspondence for years, agreed to oversee the whole project. I also made sure we were able to pay everyone through November 22 and provide health insurance through the end of the year. On the Friday after the election, we threw a party at a Brooklyn hotel near our headquarters. Under the circumstances, it was surprisingly great. There was a fantastic band—some of the same musicians who played at Chelsea and Marc’s wedding in 2010—and the dance floor was packed. It felt a little like an Irish wake: celebration amid the sadness. Let it never be said that the Hillary for America staff didn’t stick together when it counted. To help matters, there was an open bar. After everyone worked up a sweat, I took the microphone to say thank you. Everyone screamed “Thank you! ” right back at me. Really, I couldn’t have asked for a more good-natured, hardworking team. I told them how important it was that they not let this defeat discourage them from public service or from throwing themselves into future campaigns with as much heart and commitment as they had given to mine. I reminded them about the losing campaigns I’d worked on in my twenties, including Gene McCarthy in the 1968 Democratic primaries and George McGovern in 1972—and the beatings Democrats took until everything changed in ’92. We had stuck it out. I was counting on them to keep going too. I also said that I had brought a small gift for them. A women’s advocacy group called UltraViolet had sent 1, 200 red roses to my house earlier that day, and I had them packed up and brought them to the party. They lay in heaps near the exits. “Please take a few as you head home tonight, ” I told everyone. “Think about the hope they represent and the love and gratitude that so many people around the country feel for all of you. ” It was an echo of an earlier moment. My team had spent Wednesday and Thursday packing up our campaign offices in Brooklyn, fueled by pizzas sent by well-wishers from all over the country. Our neighbors in the building had taped signs on the elevator doors that read, “Thank You for What You Did. ” As staffers carried their last boxes out of headquarters, they were greeted by a crowd of children and their parents. The kids had covered the sidewalk in chalk messages: “Girl Power! ” “Stronger Together! ” “Love Trumps Hate! ” “Please Don’t Give Up! ” When bedraggled members of our team filed out for the last time, the children handed them flowers. One last act of kindness from a borough that had been good to us again and again. Over the next few weeks, I dropped any pretense of good cheer. I was so upset and worried for the country. I knew the proper and respectable thing to do was to keep quiet and take it all with grace, but inside I was fuming. The commentator Peter Daou, who worked on my 2008 campaign, captured my feelings when he tweeted, “If Trump had won by 3 million votes, lost electoral college by 80K, and Russia had hacked RNC, Republicans would have shut down America. ” Nonetheless, I didn’t go public with my feelings. I let them out in private. When I heard that Donald Trump settled a fraud suit against his Trump University for $25 million, I yelled at the television. When I read the news that he filled his team with Wall Street bankers after relentlessly accusing me of being their stooge, I nearly threw the remote control at the wall. And when I heard he installed Steve Bannon, a leading promoter of the “Alt-Right, ” which many have described as including white nationalists, as his chief strategist in the White House, it felt like a new low in a long line of lows. I'm out of characters, so here's the full PDF!

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Creator: Braden Croft; casts: Sara Garcia; 7,7 / 10 Star; genres: Thriller; Runtime: 94 M; year: 2019. Brooke died at her wedding. Margaret died. Xavier OD'd or He and Montana died in the crash. This is PURGATORY! It's going to end with a time jump to the 90s or present time. A new group of campers are hearing about the Massacre of Camp Redwood 1984, and we've been hearing the story the whole time. Maybe itll turn out to be Brook or Margaret opening the new camp. Very 80s troupe. Moe Greene. True Fiction Movie stream.nbcolympics. Greaat vid. True fiction movie stream voyage package. Also, Im terms of this series tying to Apocalypse, Im thinking that the Night Stalker is the son of satan and hes stopped by a time traveling witch. We assume that Michael was the first son of satan, but we saw that when he was stopped, a new antichrist emerged. What if the witches have been doing it for centuries and the night stalker and Michael are just another two in a long list.

Awesome! I was wondering when you guys would upload. Ha ha The Stew is Stu. Also loved the ending These bitches will fuck you up Had me lol. Critics Consensus No consensus yet. 100% TOMATOMETER Total Count: 9 Coming soon Release date: Audience Score Ratings: Not yet available True Fiction Ratings & Reviews Explanation True Fiction Photos Movie Info A timid writer's assistant takes matters into her own hands when she suspects her boss is a serial killer using her to inspire his next novel. Rating: NR Genre: Directed By: Written By: Runtime: 96 minutes Studio: 775 Media Corp. Cast News & Interviews for True Fiction Critic Reviews for True Fiction Audience Reviews for True Fiction True Fiction Quotes Movie & TV guides.

True fiction movie streaming sites. So excited for this! Can't wait. “Ricky goldsworth”. True Fiction | Watch Full Movie Free | AsianCrush Features of the use of steroids. Every modern person has to decide for himself how he sees his own body and what he wants to achieve with the help of balanced nutrition and training. Since many of us are maximalists, we are used to set high goals. These are the athletes who strive to do everything faster or more buy anabolic steroids efficiently than their rivals in the competition. It is impossible to achieve such a result without a comprehensive approach. In order not to have to regret not quite an impressive result, it is better to combine grueling exercises with taking special drugs that can improve their effectiveness. Achieving a lofty goal. Today, anabolic steroids are a common type of pharmacology that athletes take. These drugs allow you to beat the competition and to install put before you. It is only necessary not to forget about the rules and doses of their use to minimize the risk of negative factors. High-quality sports pharmacology makes it possible to make the muscles more dense, as well as to increase the relief of the body. Anabolic steroids The use of such drugs in the modern world is not a novelty. They have been known for several decades, so more than one generation of athletes was able to achieve excellent results through their use. A bodybuilder just needs to know where to buy steroids. Such products are offered by many companies today, but only some of them can guarantee really high quality of the presented products. Correct dosage of these drugs will help at all to eliminate the side effects. If you need a first-class sports pharmacology, feel free to contact us and get the opportunity to purchase such substances. With their help, the body will be maintained in perfect condition without harm. Variety of drugs. The use of special means allows athletes to achieve important goals. Some athletes decide to buy steroids in order to increase muscle mass. Another use of drugs allows you to get rid of fatty tissues that interfere with the creation of a beautiful figure. To increase the weight, you should use:.

I. Used wake up out of breath from my sleep. Every time it happen. I was haven a dream about. Drowning or being in a tight. Place. And can't get out. I wake up. Out of breath this wasn't sleep paralysis cause I can move and I was asleep. Wonder if all of them are dead and stuck. True Fiction Movie streaming. True Fiction Movie stream new albums. Wally Brando-centric is the only way fwd for the show. Twin Peaks and RedLetterMedia is the best combination.

Twin peaks is the best tv show ever made! Its not British though. Another great episode, guys! And my all-time favorite horror franchise! Im really curious about next weeks topic as well. Are there any old books about Hazel Drew. Love your AHS commentary & your rad 80's outfits ha ha. I've been looking for this quality of music for so long. Thank you ALI. This is a fantastic series so far and I can't wait for more! As someone who is passionate about the true stories which inspire films, this is right up my alley! I really like how detailed each episode is. Keep up the good work :D.

True Fiction Movie streams. You know if someone could edit the return with more of the music from the original series it would be perfect. The scenes from the return definitely feel a little quiet and awkward at times, so if there was that iconic twin peaks music, it would feel better. Nice work bro. If and when your ready to expand, make the show longer hmmmmmm, The true fiction files. Ww1 umm existed to learn more on that lol. Pal it should have been longer. True Fiction Movie stream of consciousness. My favorite part of AHS is seeing you guys review it.

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Liiiiisten. My theory is that were watching three different movies. The massacre is the original, 1984 is the sequel and then theres Ramirez vs Mr. Jingles. Jonas says the camp owner looks different because he remembers her from the first movie when she was young. Or maybe her character was recast. Notice how he didnt say she didnt belong there like he did to Ramirez. I think thats because Ramirez is part of a third film that puts him against Mr. Jingles, kinda like Freddy vs Jason. And maybes theres some Wreck-It Ralph thing where characters are jumping from film to film. This theory would also explain some of the promos where the cast were shown doing a screen test and the one where they had them hitting their marks. Theres also weird differences in the episode promos and what we actually see in the episode. Like when the body in the lake floats up to Emmas character. In the promos the face was almost clean with a couple of gashes and no blood, but in the episode it looked wrecked. And in one of the promos it shows that Emmas character is bleeding from the shoulder where Ramirez probably stabbed her, but he didnt in the episode. Maybe these differences are a call back to how some movie sequels caught up the audiences by showing them recreated scenes from the original. I dont know if any of this makes sense lol but thats just my theory.

True fiction movie stream. To anyone I recommend watching season 3 I also recommend these videos as a compendium. This was an exciting episode! I remember when we were kids we would get dressed up as our favorite monsters and wrestle in the playground (but no one wanted to be Mothra. I would always be Hedorah because my friends said that when I farted it was like the smog monster. I thought the episode was very well done. I'm looking forward to the next.

True fiction movie streaming full movie. True fiction movie streaming. True Fiction Movie streaming sur internet. Released February 21, 2020 1 hr 37 min Horror Suspense/Thriller Tell us where you are Looking for movie tickets? Enter your location to see which movie theaters are playing True Fiction (2020) near you. ENTER CITY, STATE OR ZIP CODE GO Fandango FANALERT® Sign up for a FANALERT® and be the first to know when tickets and other exclusives are available in your area. Also sign me up for FanMail to get updates on all things movies: tickets, special offers, screenings + more. Privacy Policy CHECK OUT WHAT'S PLAYING NEAR YOU.

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  1. Average rating: 5,9 / 10 stars
  2. The quiet Rose works in women's fashion clothing, hoping to be a designer. A traffic accident damages her face. She gets experimental stem cell treatment, leaving her stronger and prettier than ever - but there's a side effect
  3. John Serge, Sylvia Soska
  4. directed by: Sylvia Soska
  5. Year: 2019


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He was already at the foaming from his mouth stage. Should have put it out of misery.
Знаменитые, интересные, художественные, научные, премированные, интеллектуальные, фантастические, классические и постмодернистские. И к сожалению не переведенные. Голосование за понравившиеся вам книги весьма приветствуется, мне крайне интересно, какие произведения из такого разнородного... Читать полностью.

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Honestly put this on not expecting much, which I guess work's in this films favour as everything that it did well was a nice surprise.
Had a great cast and with the cameo from C. Master Punk, well, that was just a fun time for all.
The writing was pretty sold too, the scares and storyline blend together well and are able to play out together without ever disrupting the pace of the film.
It's not a masterpiece but it does its job and I would recommend it to people who like a good little horror film.
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Country: Germany; Writer: Terrence Malick; genre: War; 2019; ; average Rating: 8,6 of 10 star. A Hidden life music. A hidden life movie review. A hidden life trailer movie. Why oh why does he both with that turkey Mayo, complete loser. and it shows... Sissy spacek was a total babe! Whoa! I mean she was cute in Carrie but dang, I never realized just how beautiful she was. Fk you Malick. I just wasted a nice evening watching about an hour and a half of a labored, preachy—both visually and words—- of this crap! Theres enough pain and suffering in this world to want to bathe in more of it. “German science is the best in the world”.

In its depiction of the life of an Austrian farmer who refused to sign an oath of loyalty to Hitler or to fight in an unjust war, Terrence Malick's ( Song to Song" nearly three-hour film, A Hidden Life, reminds us of the power of moral and spiritual commitment. Based on the exchange of letters between Franz Jägerstätter (August Diehl, The Young Karl Marx. and his wife Fani (Valerie Pachner, The Ground Beneath My Feet. it is a sublime portrait of a man compelled to call upon his last reservoir of strength to maintain his commitment, knowing that his act of conscience will do nothing to stop the war and will put his family and his own life at risk.
The film opens in 1939 in the village of St. Radegund in Austria where Franz lives a simple life with his wife and their three daughters. Devout Catholics, they live in a close-knit community, gathering in the local pub on Saturday nights and in church on Sunday mornings. In the rich poetic style Malick is known for, we see fields of grain, pristine flowing streams, awe-inspiring mountain vistas, and children running and playing, as gorgeously photographed by cinematographer Jörg Widmer ( The Invisibles" and enhanced by the music of James Newton Howard ( Red Sparrow. To remind us of the context, we view grainy newsreel footage of Adolf Hitler and the Nazi annexation of Austria in 1938, an event that foreshadowed the start of World War II less than two years later.
It is clear to Jägerstätter that every able-bodied Austrian man will be forced to sign an oath pledging their allegiance to the Führer but Franz, whose father fought and died in World War I, asks Fani, Oh my wife, what has become of our country? In 1940, Jägerstätter is conscripted into the Wehrmacht, but is twice sent home on the grounds of his "reserved civilian occupation" as a farmer. He refuses to obey a third order, however, recalling a dream in which he saw a train carrying hundreds of Hitler Youth to their death as a warning of the evil of Nazism. In his writing Jägerstätter says that, for him, to fight and kill people so that the godless Nazi regime could conquer and enslave ever more of the world's peoples would mean becoming personally guilty."
Since a referendum was held on April 10, 1938 in which an astonishing 99.73 percent of Austrians voted in favor of joining the Third Reich, it is not surprising that Franz receives little support from his neighbors or from the local priest (Tobias Moretti, Cold Hell. A religious man, Franz turns to the Diocesan Bishop of Linz, Joseph Calasanz Fliesser (Michael Nyqvist, Frank & Lola" for support but is told by the Bishop that it is not his task to decide whether the war was righteous or unrighteous. In a powerful scene, a man (Johan Leysen, Claire Darling" who paints murals of a happy Christ on a church ceiling laments the fear that has kept him from painting Jesus' suffering on the cross.
In prison, Malick captures Jägerstätter's humanity when he helps a prisoner get up from the ground after a beating and when he sneaks an extra slice of bread to a hungry prisoner. When one of Franz' final judges played by the late Bruno Ganz ( Amnesia" suggests that the prisoner's principles will change nothing and that if he signs the oath he will go free, Franz smiles and says that he is already free. Though his mother, friends, and relatives try to change his mind, only Fani stands by him saying, If I hadn't stood by him, he wouldn't have had anyone at all." It is only later when he is in a Berlin prison, condemned to die as a traitor, that she begs him to sign a loyalty oath.
Malick's point of view, however, is clear and unmistakable as stated in the quote from author George Eliot shown in the film:
"For the growing good of the world is partly dependent on unhistoric acts; and that things are not so ill with you and me as they might have been is half owing to the number who lived faithfully a hidden life, and rest in unvisited tombs."
54 years later, on May 7, 1997, Jägerstätter verdict was annulled by the District Court of Berlin and his martyrdom was officially confirmed by the Vatican ten years later. His beatification took place in St. Mary's Cathedral in Linz in October, 2007 and he is now referred to as Blessed Franz Jägerstätter. How many people in power today who face the same accounting will be remembered for their acts of conscience.

A hidden life bande annonce vf. A Hidden life insurance. Oh boy! Finally a movie about Nazis. I was getting so tired of hearing about all the other aspects of German and Austrian culture. Well, it wouldn't be the first time a single woman in her mid to late twenties has fallen for an imaginary handsome Asian boyfriend with a British accent, not in this economy. A hidden life 2020. Anyone who loves film looks forward to a new release from Terrence Malick. And Malick's film "A Hidden Life" opened last week, which led me to review it for Spokane Public Radio: In 2011, Terrence Malick released “The Tree of Life, ” only his fifth feature film since his moviemaking career had begun some four decades prior with 1973’s “Badlands. ” Considering that a full 20 years had passed between Malick’s second film, 1978’s “Days of Heaven, ” and his third effort, 1998’s “The Thin Red Line, ” any project of his was bound the draw critical attention. And “The Tree of Life” lived up to every expectation. I wrote at the time that this film was one of the most authentic stabs at cinematic art that I had ever seen. And I still hold that opinion. I wish I could say the same for Malick’s most recent release, “A Hidden Life. ” But Malick’s style, which began to gel with “Days of Heaven” and was used to great effect in “The Tree of Life” – even given the much-lampooned dinosaur sequences – doesn’t always fit the narratives he pursues. And it isn’t quite appropriate enough for the story he tries to tell in “A Hidden Life. ” That story, written by Malick, concerns a real-life Austrian farmer named Franz Jaggerstatter who when called up for military service in 1943 refused to fight and was ultimately condemned to death for sedition. Drawing on both on historical accounts and letters written between Jaggerstatter and his wife Franziska, Malick follows his protagonist from a time before World War II when he met and married Franziska to his final days in a German prison. But like all of Malick’s later work, “A Hidden Life” doesn’t progress in a straightforward manner. Much of the dialogue is overdubbed, portrayed not so much in scenes where characters actually address one another but as meditative attempts to underscore the action to which Malick’s continually roving camera is attending. So we have scenes of Franziska recalling the time she and Franz first met, his riding a motorcycle on back mountain roads, the moment their eyes first met at a village feast, their dancing with the kind of joyful burst that accompanies first love. And the effect is more of a dreamy reminiscence than anything resembling standard cinematic narration. This isn’t necessarily bad, especially since Malick’s visual sense – realized through the work of cinematographer Jörg Widmer – is as strong as ever. It’s hard not to be impressed as Malick’s camera weaves between the mountains of northern Italy, over the wheat growing in the area’s farm fields and among the rugged buildings that house people whose lives are defined by the very work they put into those fields. But Malik’s fascination with the visuals, beautiful though they are, tends to grow repetitive and gradually – over the film’s near-three-hour running time – gets in the way of his exploration of Jaggerstatter’s personal story and the very real emotions – of sacrifice, of conscience and of courage – that underscore it. As always, Malick cast his film well. Like the countryside around them, actors such as August Diehl (who plays Franz) and Valerie Pachner (Franziska), have faces the camera loves. If only they’d had the chance to play actual living, breathing characters instead of being used more as mere visual representations.

The background music is so distracting and doesnt fit the emotional tone of the content. A hidden life santa barbara. A hidden life 2019. Malick at his best. The actors, some of them well known in the German speaking world, shift between English end German. I did not believe this could work, but it does. Cinematic poetry, powerful. a film worth 3 hours.

 

This movie was amazing. Amazing cast, directing, and pacing. Watch the movie before forming your opinions based on the trailer. A hidden life movie reviews. 4 wins & 18 nominations. See more awards » Edit Storyline Based on real events, A HIDDEN LIFE is the story of an unsung hero, Bl. Franz Jägerstätter, who refused to fight for the Nazis in World War II. When the Austrian peasant farmer is faced with the threat of execution for treason, it is his unwavering faith and his love for his wife, Fani, and children that keeps his spirit alive. Written by Anonymous Plot Summary | Plot Synopsis Details Release Date: 17 January 2020 (UK) See more » Also Known As: A Hidden Life Box Office Opening Weekend USA: $50, 383, 15 December 2019 Cumulative Worldwide Gross: $4, 517, 268 See more on IMDbPro » Company Credits Technical Specs See full technical specs » Did You Know? Trivia August Diehl played a German officer in Quentin Tarantino's Inglorious Basterds (2009) See more » Quotes Fani Jägerstätter: You said knock - it will be opened. Ask - it will be given. Crazy Credits The title card at the end of the picture comes from the final sentence of George Eliot's "Middlemarch". See more » Connections Version of Der Fall Jägerstätter (1971) Frequently Asked Questions See more ».

A Hidden life 2. It's an interesting theory, and I share the curiosity and love for Malick's work (his recent work more than his pre-TRLs work) but I don't think it's accurate to say that the actors are curious and are searching and enjoying the process. Many of the actors retrospectively have talked of their yearning for more conventional film making methods.

A hidden life openload. From Wikipedia, the free encyclopedia Jump to navigation Jump to search A Hidden Life may refer to: A Hidden Life (memoir), a memoir by Johanna Reiss A Hidden Life (2001 film), a Brazilian drama film A Hidden Life (2019 film), a historical drama film directed by Terrence Malick This disambiguation page lists articles associated with the title A Hidden Life. If an internal link led you here, you may wish to change the link to point directly to the intended article. Retrieved from " " Categories: Disambiguation pages Hidden categories: Disambiguation pages with short description All article disambiguation pages All disambiguation pages.

A hidden life nyc showtimes. A Hidden lifestyle. A hidden life download. A hidden life rotten tomatoes. A hidden life movie. A Hidden life. A hidden life ending. Malick made his name in the ’70s with Badlands and Days of Heaven, films that established him as a master of poetic imagery and haunting stories. The work that A Hidden Life most reminded me of, though, was The Thin Red Line, his 1998 masterpiece about the subtle and violent horrors of war. That film is set during World War II in the Melanesian islands of the South Pacific, another haven of natural beauty defiled by chaos and death. While it centers on American troops rather than the Austrian soldiers of A Hidden Life, it likewise emphasizes the loss of paradise both ideal and physical, and the visceral disorder that follows a catastrophic conflict. A Hidden Life goes a step further by implicitly tying Jägerstätter’s dilemma to the present day; the film begins with real-life footage of Nazis marching with torches, an uncomfortable and pointed echo of photos from the 2017 white-nationalist rally in Charlottesville, Virginia. Moments later, the film cuts to a secluded mountain town where, for Jägerstätter and his wife, Franziska (Valerie Pachner), that threat seems a world away. Malick’s gift for depicting raw emotion through camera movement and largely wordless montages—the couple farming, or dancing, or celebrating in the square with other townspeople—is in full force for the first act of the film, showing a giddy joy that will eventually give way to something crueler. Sure enough, signs of authoritarianism begin to show even before troops start marching through the town. The new mayor is a strident xenophobe, given to outbursts of nationalistic language that give Jägerstätter pause. Military planes begin to rattle the skies overhead. Clouds and fog appear across the hills and valleys; the cinematography, by Jörg Widmer, is staggering, translating the sight of a gathering storm into a symbol of God’s wrath. Though Jägerstätter is dragged into the army early in the war, he never sees combat, because of France’s quick surrender. When he’s conscripted again, he has to make a more principled choice: a rejection of Hitler that he knows could lead to his execution. At 174 minutes, A Hidden Life is Malick’s longest theatrical film yet. The extended running time seems intentional, contributing to the sense of entrapment that arises when Jägerstätter is imprisoned for refusing to swear allegiance to Hitler. Even as the plot turns totally static, this section of the film contains its most dramatic, effective sequences, in which Jägerstätter is dragged before authority figures—a priest, a bishop, a Nazi general—and forced to defend his beliefs. Malick can turn philosophical quandaries into tactile, engaging scenes, and these conversations are incredible, often racked with anguish as Jägerstätter realizes that even the men of God he admires are trying to talk him into compromise.

A hidden life showtimes dallas. A hidden life soundtrack. A hidden life austin. A hidden life (2019) trailer. A hidden life runtime. A hidden life trailer 2. A hidden life. A hidden life trailer 2019. A hidden life james newton howard. A hidden life movie trailer. Critics Consensus Ambitious and visually absorbing, A Hidden Life may prove inscrutable to non-devotees -- but for viewers on Malick's wavelength, it should only further confirm his genius. 80% TOMATOMETER Total Count: 212 72% Audience Score Verified Ratings: 252 A Hidden Life Ratings & Reviews Explanation Tickets & Showtimes The movie doesn't seem to be playing near you. Go back Enter your location to see showtimes near you. A Hidden Life Videos Photos Movie Info Based on real events, A HIDDEN LIFE is the story of an unsung hero, Franz Jägerstätter, who refused to fight for the Nazis in World War II. When the Austrian peasant farmer is faced with the threat of execution for treason, it is his unwavering faith and his love for his wife Fanni and children that keeps his spirit alive. Rating: PG-13 (for thematic material including violent images) Genre: Directed By: Written By: In Theaters: Dec 13, 2019 limited Runtime: 180 minutes Studio: Fox Searchlight Pictures Cast News & Interviews for A Hidden Life Critic Reviews for A Hidden Life Audience Reviews for A Hidden Life A Hidden Life Quotes Movie & TV guides.

A hidden life cinema city. A hidden life csfd. A hidden life showtimes near me. This movie hit so hard. I saw it back in October and its blasphemous that its getting no Oscar consideration. A hidden life true story. A hidden life full movie. A Hidden life rocks.

 

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BBC Two - INXS: Live Baby Live A spectacular INXS concert filmed on 13 July 1991 at Wembley Stadium, London, featuring classic anthems New Sensation, Mystify and Need You Tonight. Show more Eagle Rock Films has fully restored INXS' classic concert film to present Live Baby Live in HD and 4K for the first time ever. On 13 July 1991, INXS were filmed in concert at Wembley Stadium, London, performing one of the most stunning concerts ever by one of the world’s greatest rock and roll bands to a sold-out, heaving mass of 72, 000 fans. The Wembley concert was the last of a 12-month worldwide run of dates on the band's record-breaking X-Factor Tour, and those there on the day witnessed a band at the absolute peak of their powers. This electrifying concert was directed by David Mallet (AC/DC, U2, Madonna), and it featured classic anthems New Sensation, Mystify and Need You Tonight. Show less 9 months left to watch 57 minutes Last on Role Contributor Performer INXS.

Watch inxs: baby live at wembley stadium 5. Michael Hutchence of Inxs during 1990 MTV VMA's Rehearsal at Universal Amphitheater in Universal... [+] City, CA, United States. (Photo by Jeff Kravitz/FilmMagic, Inc) FilmMagic, Inc On July 13, 1991, INXS performed in front of 74, 000 people at a sold out Wembley Stadium in London, England. It was the band’s largest concert to date as frontman Michael Hutchence would inform the crowd on stage, a moment captured by director David Mallet during the group’s first live concert film Live Baby Live. The concert was filmed 28 years ago on sixteen 35 mm cameras. A helicopter provided sweeping aerial shots of the band on stage amidst the iconic Wembley throng. The newly restored film will be presented in cinematic widescreen, featuring sound remastered in Dolby Atmos by Giles Martin and Sam Okell at Abbey Road studios, when it hits theaters for one night only courtesy of CinEvents / Eagle Rock Films / Fathom Events on December 9. While the 1991 show, part of the group’s massive world tour in support of its seventh studio album X, stood as their biggest headlining performance, it wasn’t the first time INXS performed at Wembley. Five years prior, almost to the day, the group did two shows at Wembley Stadium on July 11 and 12, 1986 as the opening act for Queen during the “Magic” tour (the group’s final full tour with singer Freddie Mercury). Remarkably, the pair of 1986 shows fell exactly one year after Queen’s triumphant Wembley performance at Live Aid and loomed large for INXS five years later as they recorded their own headlining performance at the stadium. “It wasn’t an entirely easy concert for us to do, the two nights, ” said INXS guitarist Tim Farriss of the opening slot. “After the first night, I was standing where Brian May would stand and the hardcore Queen fans are right down in the very front throwing loaves of bread at us. And we still got a great reaction and it felt like a great gig but it was like, ‘Well, I’ve never had anything thrown at me before…’” the guitarist joked. “When we got to do it ourselves, it was like, ‘There won’t be any bread tonight! ’” LONDON, UNITED KINGDOM - JUNE 24: Tim Farriss and Michael Hutchence of INXS perform on stage on the... [+] 'Kick' tour at Wembley Arena on June 24th, 1988 in London, United Kingdom. (Photo by Pete Still/Redferns) Redferns In 1989, the Rolling Stones launched their enormous “Steel Wheels” world tour, creating an arms race in terms of concert production that still hasn’t stopped. But Live Baby Live is a stripped down affair in comparison that thrives thanks to a great band firing on all cylinders, the incomparable presence of one of rock’s all time great frontmen and a Wembley crowd characteristically teetering on the brink of being out of control. “We’d played Wembley Stadium before with Queen and they’re amazing. But that had to be a typical English rock extravaganza, which happens really at every stadium show you see. But we didn’t go for images of ourselves or balloons or grand pianos, backing vocalists, dancers or anything like that. It’s just the six of us, ” Farriss explained. “And Michael hardly even says anything! I just sat there going, ‘Wow! I can’t believe we did that. And I can’t believe the audience loved it that much. ’ I mean, the music does sound great but it seems to be this cycle going between the audience and the band. ” Free of the trappings that denote most large concerts today, Live Baby Live puts the focus squarely on singer Michael Hutchence and the music of INXS. X followed up the worldwide breakout success of the Kick album in 1987 and the Wembley recording features a band reaching its commercial peak. The newly restored edition of the London concert, which was released digitally and on CD/vinyl earlier this month and hits theaters in December, features for the first time the group’s playing that night of the X deep cut “Lately, ” a performance previously thought lost. The group’s stature by that point allowed them to take some chances creatively on stage. “The thing about it was the band was so relaxed. We went out there and jammed to start the show. And [INXS drummer] Jonny [Farriss] running out by himself first without any of the rest of us, that wasn’t planned. So we all sort of came out and started jamming before he pulls the band in on the first chords and away we go. That’s what you do at a club, not a stadium show! ” said the guitarist. “And [‘Guns in the Sky’] wasn’t even a hit, ” recalled Farriss of the group’s opening cut that night. “Sure, it was a well-known song off the Kick album but, normally, in a stadium show, you might think about opening with a hit. But we just changed the set up a bit and had fun with it. Just seeing the audience really helped the band feel like, ‘This is gonna be fun…’” The fun the band appears to be having on stage during the Wembley concert is contagious. And director David Mallet managed to capture a warm exchange between Farriss and Hutchence for posterity. It happened during a particularly incisive rendition of “What You Need. ” Drummer Jon Farriss sets forth a funky beat as the band slows things down for a moment, stretching out to jam. Hutchence shimmies left, wrapping his right arm around his guitarist, and the two have an inaudible exchange during the embrace. Shortly thereafter, Hutchence, laughing, goads the guitarist to, “play the f—-ing riff, Timmy. ” Farriss, also laughing, responds in kind with a searing take on the song’s hook - and a measured word for Hutchence - pulling the band from the jam and back into the performance. “Well, it was kind of an inside joke. Because I came up to him and said, ‘Mike, this is the biggest f—-ing pub we’ve ever played. ’ And he turns around and says it to the audience, ” said Farriss. “So I said to him, ‘Why didn’t you tell them I said that? ’ So we were having a bit of a friendly gibe at each other during the night to egg each other on. It was a very, very warm moment between us, I have to admit. It was great. Michael and I did 95% of all of the interviews so we had a certain in joke between us, yes. We were having a fun night. ” UNITED KINGDOM - JUNE 01: WEMBLEY STADIUM Photo of Michael HUTCHENCE and INXS, Michael Hutchence... [+] (right) performing on stage (Photo by Fin Costello/Redferns) By the ‘91 Wembley show, Hutchence had established himself as the perfect rock combo of sex appeal and charisma with the substance and depth of the group’s catalog to back it all up. He was the rare frontman equally as adept at reaching fans in the front row as he was those at the back of the massive Wembley gathering or on screen in a theater. And he shines during Live Baby Live. “Well, you know, it’s a funny thing. I’ve heard people say that Michael could’ve fronted any band. And it’s like, ‘Well, I suppose… But he didn’t, ’” said Farriss of the late INXS frontman. “And the thing is that when he started singing with us, he really wasn’t the singer. He’d never really sung. He was a schoolkid. He’d messed around with poetry a little bit, ” he continued. “We all sort of grew up together. We were family. And we were all so different. And Michael evolved with us. And he saw his role as the frontman and he started to take that on from way early on. And he got better and better and better at it. And it was a wonderful thing to watch that flower open. ” Director Richard Lowenstein takes a deeper dive into Hutchence’s world in the new documentary Mystify: Michael Hutchence, a film which hits theaters for one night on January 7, 2020. “It’s interesting that Richard Lowenstein’s film Mystify came out about a really similar time to the Live Baby Live film. And that was kind of a coincidence - but a nicely timed coincidence, ” said Farriss. “Because, on the one hand, you see that that film is all about Michael - it’s really not to do with us - but then if you entail it with the live Wembley show, they go well together in a way. ” With rumors of a Broadway musical in the works, Mystify and Live Baby Live go a long way toward helping to secure the legacy of both Hutchence and INXS twenty-two years after the singer’s untimely passing. It’s a role Tim Farriss in particular has embraced. As Live Baby Live lands in theaters on December 9, Farriss has only one hope. “So I went to the cinema by myself and watched it. Which is kind of weird. Because there were so many people in the audience of the film I was watching and it was only me watching it [in the theater]. But I still clapped, ” joked the guitarist of his private screening. “I was actually blown away to be honest. It was a surreal experience. I’d seen it on television. But this was completely different, sitting in the cinema like you’re at a concert. I felt like I was watching our concert properly, like I was in the audience. I had never seen us like that. So it was wonderful. It just brought back so many memories of the night, ” Farriss said. “I’d love to be in a cinema incognito. In fact, when it comes out, I’m probably going to do that. And watch it and see what it’s like with other people watching it. Because I’m dying to see their reactions, you know? I just hope they play it loud. ” *** INXS: Live Baby Live Wembley Stadium is now available digitally and on CD/vinyl. The film hits theaters for one night only on December 9, 2019 courtesy of CinEvents / Eagle Rock Films / Fathom Events. To purchase tickets for screenings in your area, click HERE. *** Mystify: Michael Hutchence is now available and will be shown in theaters on January 7, 2020. To purchase tickets for screenings in your area, click HERE.

Watch INXS: Baby Live at Wembly stadiums. Watch inxs: baby live at wembley stadium 7. Inxs: Live Baby Live At Wembley Stadium 1h 40m IMDB Released December 9th, 2019 Starring: Michael Hutchence, Garry Beers, Andrew Farriss, Jon Farriss, Tim Farriss Directed By: David Mallet.

Watch inxs: baby live at wembley stadium 2017. Watch inxs: baby live at wembley stadium 1. Watch inxs 3a baby live at wembley stadium gif. Watch inxs: baby live at wembley stadium 3. Watch inxs: baby live at wembley stadium 9. Watch inxs: baby live at wembley stadium 12. INXS: Live Baby Live at Wembley Stadium Search Enter your location above or select your cinema below Search & Filter Click for Directions. Watch INXS: Baby Live at wembley stadium. INXS: Live Baby Live at Wembley Stadium INXS: Live Baby Live at Wembley Stadium (UK, 2019) A 100 min Musical Trailer Sinopsis 1991 fue un año espectacular para INXS. Su álbum "X" había estado en las listas durante ocho meses, convirtiéndose en platino en el Reino Unido y doble platino en los Estados Unidos. Ganando dos premios Brit, INXS tocó actuaciones de espectáculos récord en su tierra natal australiana, encabezó Rock In Rio y emprendió una gira con entradas agotadas por los EE. Sin embargo, fueron los eventos del 13 de julio de 1991 los que llevaron a la banda a la estratosfera musical. Seis años hasta el día de Live Aid, y cinco años y un día, desde que la banda apoyó a Queen en el estadio de Wembley, INXS encabezó su propio espectáculo en el famoso lugar ante una multitud de 73, 791 fanáticos enloquecidos. El evento, llamado "Summer XS", fue inmortalizado en la película de conciertos más vendida "Live Baby Live", dirigida por David Mallet. Veintiocho años después, la película se ha restaurado minuciosamente durante un período de seis meses desde el negativo original de 35 mm a 4K Ultra HD. La película ahora se presenta en una gloriosa pantalla panorámica cinematográfica, creada al pasar por la película disparo a disparo y reposicionar cada una de ellas para obtener lo mejor del cuadro. Para acompañar la sorprendente mejora visual, el audio ahora se presenta en Dolby Atmos completo (y sonido envolvente 5. 1), creado por el productor ejecutivo de música de la banda, Giles Martin, en los estudios Abbey Road. Además, el proceso de restauración reveló una actuación "perdida", que no se incluyó en los lanzamientos originales - "Últimamente" del álbum "X". Ahora vuelve a su posición legítima en la lista de conciertos. Consulta más Horarios Cargando horarios:( Por el momento no hay horarios disponibles para esta película. :( Por favor selecciona un cine.

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